Susan Hansell first wrote for the stage by constructing texts for San Francisco Bay Area dancers, choreographers, and performance artists, including herself; as a result, stylized movement and physical elements remain theatrical aspects in her plays.  Early pieces can be viewed on YouTube and have been published in More Monologues for Women by Women (Heinemann).

Subsequently in New York, Susan Hansell began to write full-length plays with ensemble casts, including My Medea, a selection of the Best American Short Plays series (Applause); and American Rose, commissioned and produced by Sightlines at The Ohio Theatre, NYC, and a Jane Chambers Award finalist.

New plays by Susan Hansell include the historically-driven three-act experimental drama At Dawn with the Rain and the Stars (one act of which was first presented at the 2017 William Inge Festival then produced as Every Concentrated Fragment in the 2018 One-Act Festival by the Tucson Players); the full-length experimental satire, Waiting for a Table at the Garden of Eden, from which a ten-minute stand-alone excerpt (In the Beginning...) was presented at the Midwest Dramatists Conference in 2017; and, An Ocean of Bees, a post-apocalyptic futuristic-comedy/drama which was presented as a staged-reading by the Bechdel Group in New York City at The Tank on March 5, 2018.

Susan Hansell is a member of the Dramatists Guild. 

Original Stage Productions and Readings:

Every Concentrated Fragment.  Tucson Players 3rd Annual One-Act Play Festival, Tucson Playhouse, July 13 - 29, 2018.

An Ocean of Bees.  
The Bechdel Group Spring Reading Series.  March 5, 2018.  The Tank, New York City.

In the Beginning...  The Midwest Dramatists Center Conference, September 28-30, 2017.

Every Concentrated Fragment.  The William Inge Center's 36th Annual Theatre Festival, April 19-23, 2017.

My Medea. 
Cal Rep, Players Theatre, Long Beach, March 4 – 19, 2005. 

Affair on the Air.  The Harold Clurman.  Love Creek Productions, NYC.  March-April, 1998.

American Rose.  The Ohio Theatre, NYC.  Sightlines Theatre Company Productions, March 6-15, 1997.  


American Rose:  Our Gals on the Homefront, 1941-1945.  Commissioned by Sightlines Theatre Company in September and produced at the Ohio Theatre in NYC, March 6-15, 1997. 


“Cal Rep’s My Medea.” Mike Guardabascio.  The Long Beach Union Weekly.  Vol. 56, Issue 8.  14 March 2005.  11.

“CSULB’s Performance of My Medea.”  Mike Guardabascio.  The Long Beach Union Weekly.  Vol. 56, Issue 8.  14 March 2005.  7.

“Greek Theater, Modern Touch at CSULB.”  Harry Saltzgaver.  The Long Beach Grunion Gazette.  10 March 2005:  26A.

“Not Like Greek Tragedy, but a Good Show.”  Alessandra Djurklon.  The Long Beach Press Telegram.  10 March 2005.  U Entertainment.

“O.J. Simpson in News Again with CSULB’s My Medea.”  Katie DeBoer.  The Daily 49er.  Vol. LV, No. 86.  9 March 2005.

Critical Studies:

"Highfalutin Greeks."  Neal Storrs.  Oasis  5.2  Oct.-Dec.  (1996):  Editor's Foreword.

"Disability in Western Culture."  Jenny Morris.  Pride Against Prejudice.  London:  The Woman's Press, 1991.  84-116.


E. A. Biderman Poetry Prize, inaugural recipient.

Publications - Plays

“We Are All Dick 3.”  Oasis 11.3 Oct.-Dec. (2003):  26-62.

“Little Kings.”  Oasis  10.1  Jan.-Mar. (2002):  29-56.

"Mary Mary."  Inflatable Magazine 5, 1999.  Also at < Oracle/2515>  (click on Issue 5). 

"Rollover Othello."  Oasis 5.1 July-Sept. (1996):  27-36.

"My Medea."  The Best American Short Plays, 1996-97.  Ed. Young.  New York:  Applause Books, 1998.  95-133.

"My Medea."  The Best American Short Plays, 1995-97.  Eds. Stein and Young.  New York:  Applause, 1997.  354-389.

"Don't."  More Monologues for Women by Women.  Ed. Haring-Smith.  Portsmouth NH:  Heinemann, 1996.  61-3.

"Affair on the Air."   More Monologues for Women by Women.  Ed. Haring-Smith.  Portsmouth NH:  Heinemann, 1996.  58-60.

Publications - Poems:

"Missings/s," "Don't Be Evil" and "The Boyfriend Marriage."  Spot Literary Magazine Vol. 10 (2017):  101-109.

"As Usual."  Rip Rap 28 (2006):  113-4.

"Now and Then Again:  Homage to James Schuyler."  The Ragged Edge.  Ed. Shaw.  Louisville:  Avocado, 1994.  109-111.

"Winter Pears."  Disability Rag Nov.-Dec. (1992):  33.

“From The L.A. Horoscope Poems.”  The Portable Californian 1 (1992):  28.

"Odysseyan:  Excerpts from the Epic/Epoch."  Phoebe  3.1  (1991):  44-5.

"Every House Plant."  Metis 7 (1991):  6.

“The Wolf.”  Pride Against Prejudice.  Morris.  London:  The Woman's Press, 1991.  86-8.

Publications - Essays:   

"Re/fractions from Los Angeles."  Phoebe 4.1 (1992):  19-22.

Publications - Translations:

Forced to Move.  Renato Camarda.  Trans. Susan Hansell.  Berkeley:  New Americas.


Faculty Appointments:

California State University, Long Beach, Departments of English, History and Theatre, 2000-2007.  Lecturer in upper-level Literature (370; 385), Theory (384), and Pedagogy (400) courses, in senior-level History of American Women (485), in graduate-level Theory of Theatre Aesthetics (696), in lower and upper level composition and literature (1; 100; 270; 309) and in interdisciplinary general education courses (372).

Brooklyn College of the City University of New York, 1994-2000.  Lecturer in the graduate M.F.A. Program in Playwriting:  Taught the M.F.A. program tutorials for the graduate-level student playwrights.  Lecturer in Core 6 (Landmarks in Literature) Courses; Lecturer in Multi-Disciplinary Composition.

Also: Cal State Northridge, Loyola-Marymount University, San Francisco State.

University Degrees:

Master of Fine Arts in English, Creative Writing, Playwriting:  Brooklyn College of The City University of New York. 

Master of Arts in English, Creative Writing:  San Francisco State University. 

Bachelor of Arts with High Honors in Sociology:  University of California, Berkeley. 


Email Susan Hansell directly at:  <>.